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HOW TO MAKE AN AWNING FRAME – WINDOWS BLINDS TORRENTS – CANOPY BED TOP FRAME.

How To Make An Awning Frame

how to make an awning frame

    how to

  • (How To’s) Multi-Speed Animations
  • Providing detailed and practical advice
  • A how-to or a how to is an informal, often short, description of how to accomplish some specific task. A how-to is usually meant to help non-experts, may leave out details that are only important to experts, and may also be greatly simplified from an overall discussion of the topic.
  • Practical advice on a particular subject; that gives advice or instruction on a particular topic

    awning

  • (awned) having awns i.e. bristlelike or hairlike appendages on the flowering parts of some cereals and grasses; "awned wheatgrass"
  • A sheet of canvas or other material stretched on a frame and used to keep the sun or rain off a storefront, window, doorway, or deck
  • a canopy made of canvas to shelter people or things from rain or sun
  • An awning or overhang is a secondary covering attached to the exterior wall of a building. It is typically composed of canvas woven of acrylic, cotton or polyester yarn, or vinyl laminated to polyester fabric that is stretched tightly over a light structure of aluminium, iron or steel, possibly

    frame

  • Surround so as to create a sharp or attractive image
  • enclose in or as if in a frame; "frame a picture"
  • the framework for a pair of eyeglasses
  • Place (a picture or photograph) in a <em>frame</em>
  • Erect the framework of a building
  • a single one of a series of still transparent pictures forming a cinema, television or video film

    make

  • The manufacturer or trade name of a particular product
  • The structure or composition of something
  • give certain properties to something; "get someone mad"; "She made us look silly"; "He made a fool of himself at the meeting"; "Don't make this into a big deal"; "This invention will make you a millionaire"; "Make yourself clear"
  • The making of electrical contact
  • brand: a recognizable kind; "there's a new brand of hero in the movies now"; "what make of car is that?"
  • engage in; "make love, not war"; "make an effort"; "do research"; "do nothing"; "make revolution"

how to make an awning frame – 2x4basics Easy-Up

2x4basics Easy-Up Enclosure Kit, Black
2x4basics  Easy-Up Enclosure Kit, Black
With no angle cuts, assembly is simple using only a screwdriver and a saw. Only straight, 90 degree cuts are required ? no miters or angles. Just add 2×2 (38 mm x 38 mm) and 2×4 (38 mm x 89 mm) lumber to our resin connectors to make a permanent, temporary, or portable enclosure quickly and easily. The 2x4basics Easy-Up Enclosure has many uses, including: Spring greenhouses, firewood covers, recreational storage, pet shelters, fish huts, duck blinds, storage sheds, dog houses … and more. Depending on how you plan to use your Easy-Up Enclosure, inexpensive poly sheeting, tarps, plywood, or our optional covers are all good values for the exterior of your Easy-Up Enclosure. We also recommend purchasing additional 1×2’s (19 mm x 38 mm) for extra bracing when more permanent structures are desired (see instructions). All hardware is included. The completed Easy-Up Enclosure measures 8 feet wide by 8 feet long, by 6 ? feet tall (2438 mm x 2438 mm x 1981 mm). Of course, you may make your enclosure smaller if you desire.

565 and 569 Bloomingdale Road Cottages

565 and 569 Bloomingdale Road Cottages
Sandy Ground, Rossville, Staten Island

Constructed between 1887 and 1898 as rental properties by Robert E. Mersereau, the small, frame houses at 565 and 569 Bloomingdale Road, traditionally known as the “baymen’s cottages,” are rare surviving buildings from the period when Sandy Ground was a prosperous African-American community on Staten Island. Beginning in the 1840s through the early 20th century, this area, called Woodrow, Little Africa, or (more commonly) Sandy Ground, was home to a group of free black people residing in more than 50 houses. For much of that time, many of them were employed in the oyster trade or in farming. Sandy Ground is located is the southern part of Staten Island, not far from the shipping port of Rossville on the Arthur Kill to the north and the prime oyster grounds of Prince’s Bay on the south. The first African-American residents purchased property in the area by 1830 and their numbers were bolstered by the arrival of numerous families from Snow Hill, Maryland, who settled in Sandy Ground in the 1840s and 1850s. These were free blacks who had been involved in the oyster trade on the Chesapeake Bay and came to New York because Maryland had passed a series of harsh laws in the 1840s and 1850s that made it difficult for them to ply their trade. The Sandy Ground community thrived for many years, built substantial houses and established successful businesses and institutions, chief among them the Rossville AME Zion Church.

Typical examples of the small cottages erected in late 19th century and early 20th century to house workers in the rural areas of New York, these two houses were nearly identical: two story one-room deep, peaked-roofed frame structures with central chimneys and side hall entrances with shallow stoops and porches. No. 569 Bloomingdale Road, the northernmost of the two houses was occupied from about 1900 to 1930 by William D. Landin, son of Robert Landin, one of the most prominent and successful of the Maryland oystermen who settled in Sandy Ground around 1850. William D. Landin also had an oyster business until about 1920 and later became the first African American man to work at S.S. White Dental Works. His son-inlaw Girard Bevans, who lived here in the 1920s was one of the city’s first African American police officers. Subsequent residents included Susan Landin Henry and her daughter, Lois A. H. Mosley, author of Sandy Ground Memories. Residents of 565 Bloomingale Road included Josephine Henry, Susan Harmon, Murphy and Frances Landin Moore and Thelma “Nan” Pedro, descendants of Sandy Ground’s early African-American families who played a prominent part in the community.

In 1922, Mersereau’s heir Gertrude M. Jacobus, sold the property to George H. Hunter, the owner of a local construction and maintenance business, and his wife Celia, who lived next door at 575 Bloomingdale Road. The Trustees of the A. M. E. Zion Church of Rossville (aka Rossville A. M. E. Zion Church) purchased the property in 1981. Today the houses survive as a tangible and visible link to the rich history of the Sandy Ground community.

DESCRIPTION AND ANALYSIS

Development of the Community of Sandy Ground1

The Sandy Ground community was founded on a section of high ground near the center of the southern part of Staten Island, halfway between the well-known oyster beds of Prince’s Bay on the south and the port of Rossville on the Arthur Kill to the north. This area has been known by various names through the years, such as Woodrow, Harrisville or Little Africa, and its center was at the confluence of what is now Woodrow and Bloomingdale Roads. Since this area is located inland, rather than along the shore, and was still wooded in the mid 1800s, it was not seen as desirable and therefore was not expensive. The name Sandy Ground first appears on records dating to 1779 and refers to the sandy soil of the area, particularly good for growing certain crops such as strawberries and asparagus.2

Staten Island was inhabited for thousands of years by Native Americans. 3 Archaeologist Alanson B. Skinner reported finding evidence of a Woodland Period (2700BP-AD 1500) Native American village at the center of what would become Sandy Ground and there are two documented Native American sites on the lot of the AME Zion Church.4 While most Native Americans left the island by 1700, a few remained and their descendents could be found on Staten Island as late as the early 1900s. At Sandy Ground, several black families claimed Native American descent and Skinner observed that the Native American tradition of grinding corn with wooden mortars and pestles continued at Sandy Ground into the 1890s.

During the colonial period Staten Island was largely settled by Dutch and Huguenot families with a scattering of English and other Europeans.5 Many settlers brought white indentured servants or black slaves to the island, with slaves making up between 10 to 23 percent of the population. During the first

Hunting Mice

Hunting Mice
Ashur Kentoku stops when she picks up a familiar scent…her whiskers puff out and she scans the street below, her eyes coming to rest on Shoya…..

Ashur Kentoku crouches down and smiles, her fangs showing, tail swishing behind her, ears perked….

Shoya Namuya was leaning against the wall and she was reading a small book. The book was close to her face and her tail twitched behind her, murmuring under her breath as she focuses on the pages

Emberen Twine murrs softly to Ash…"oh Ash…leave her be. She looks so peaceful!"

Ashur Kentoku flicks an ear at Ember but doesnt move, just watches, still smiling….for the moment.

Emberen Twine sighs as her friend has her fun, but really…what was the fun all about. "I don’t get it," she murrs almost in a whisper.

Shoya Namuya glances up when she hears people talking and she blinks. She looks up at Ashur and Emberen before she closes her book and she slips it into her bag before saying to them "Oh… Hello, again" And she waves towards them

Emberen Twine grins and waves innocently enough wondering if Ash would swat her for saying hello.

Ashur Kentoku merrs softly, her pale eyes glinting. She tilts her head, her hair half-covering her face, but says nothing, just watches Shoya with her unblinking eyes….

Shoya Namuya furrows her brow and then she turns, starting to head down the street as she shakes her head. She was getting more used to how cats acted… And usually when they stared at you like that it wasn’t good! She glances over her shoulder as she holds onto her purse and she waves again ebfore saying "B-Bye" and she looks back down the street, keeping her ears open

Emberen Twine watches Shoya with interest…but not playful interest like Ash. "What book ya readin," she asks with great curiosity.

Ashur Kentoku stood silently and glided after her, following along the awning, staying low…..she makes a soft merrrrrr sound, which might even reach Shoya’s ear…..

Ashur Kentoku turns and gives Ember a "Shut UP!" look, then continues following Shoya…

Emberen Twine’s eyes go big and she frowns. "Was just askin…" she mutters

Shoya Namuya blinks and then she turns around. She looks towards Emberen and she goes to say something but when she sees where Ashur was she pauses for just a seocnd. She turns again and she quickly starts to walk down the street once more, starting to mvoe a bit faster as she clears her throat nervously, keeping her ears perked still

Emberen Twine comes up behind Ash…"What now," she asks.

Ashur Kentoku follows quietly, letting Shoya see her just when she seemed to think she was safe, her fanged smile still on her feline face, her claws making little scritching sounds against the concrete…

Emberen Twine murrs softly to herself as her gaze darts from Ash’s silly game and the twwo standing before them on the catwalk.

Ashur Kentoku hisses quietly at Em, waving her away….if she wasnt going to keep quiet, she wasnt welcome. She turned her unblinking eyes back at Shoya, ready to move when she did again…

Shoya Namuya looks down the street before she turns ands he heads down the alleyway, starting to gnaw on her bottom lip gently, tryign to think of a way to at least lose Ash’s interest. Maybe if she just didn’t run… She takes in slow and steady breaths as she forces herself to slow down

Emberen Twine misses Ash’s wave as she stares at the strangers

Emberen Twine: "Hey Ash?"

Mika would try to open the door thing and kicks at it

Emberen Twine: I don’t think they are supposed to be up there," she murrs nervously.

Ashur Kentoku hops quickly onto the rooftop opposite and pads over to the edge, peering down at the nervous mousie, still smiling her toothy smile…

Mika kicks it again wondering if it will budge

Ashur Kentoku: "Meow," she says. She speaks the word, rather than actually making the sound, deliberately.

Shoya Namuya spins on her heels when she hears Ashur and she glares up at her. She shakes her head and then she asks her in a polite sounding voice "Can I help you with anything?" but she continues to glare, keeping her hand in her bag

Ashur Kentoku follows, dropping back into a crouch, her whiskers puffing out, tail lashing behind her, ears laying flat. Her body begins to vibrate as she stares at Shoya, locking eyes with her if she can. A low growl erupts from her throat, seemingly out of place coming from her small frame….

Shoya Namuya gets a bit of a grin and then she asks "You want a fucking chase? Fine" And then she turns, bolting down the alley without much warning

Ashur Kentoku grins and pounces after her, leaping from rooftop to catwalk, a low merrrrring sound coming from her….

Ashur Kentoku lands with a splash in the scummy water, spitting….She looks up at Shoya and readies herself for another pounce….

Shoya Namuya pants heavily as she pushes herself against the

how to make an awning frame

2x4basics  Shed Kit, Peak Style Roof
No Angle Cuts! You don’t have to be an expert carpenter to put together a well-built shed. Only straight, 90 degree cuts are required ? no miters or complex measurements are needed to build your own shed with our patented connectors. You determine the size… Purchase one, two, or three kits to make your shed up to 10 foot wide and 22 foot long (3048 mm x 6706 mm). We provide instructions for 7 x 8 foot (2134 mm x 2438 mm), 8 x 14 foot (2438 mm x 4267 mm) and 10 x 22 foot (3048 mm x 6706 mm). Easy plans are included: Materials lists, cut lists, and detailed instructions with step-by-step images are provided so that even beginning do-it-yourselfers can build a professional-looking shed. Our 2x4basics Shed Kit is cost effective and can save you 50% or more over other pre-built and knocked-down shed options. You supply the labor for this weekend project. Our galvanized steel connectors are designed for use with sturdy 2×4 (38 mm x 89 mm) framing, making your completed shed built to withstand the elements. You choose the roofing, siding, and flooring materials to suit your taste and budget. Check your local building codes for additional requirements or restrictions.

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